Part VI of VI  ·  Exhibition Design Series

The Complete
Exhibition Design Process

A summary of the full arc from planning through maintenance, with a master checklist for museum teams and exhibition designers. The process is the same at 00K and at 0M — scale changes the effort, not the steps.

Final Part
All museum types, all scales
Summary + master checklist
01 ·The Arc of the Process
Anyone who thinks exhibition design is the creation of drawings has only one quarter of the picture. The process begins before the first line is drawn and continues through opening day — and well beyond.

Over more than twenty-five years and forty museums, the process described in this series has proven to be consistent regardless of museum type, budget, geography, or subject matter. What changes is the scale of effort at each phase — a 500 square foot gallery refresh and a 20,000 square foot permanent exhibition follow the same steps, but the planning phase for the larger project takes months rather than days.

The most common failure mode in exhibition design is not a lack of creative talent or technical skill — it is a lack of process discipline. Skipping the project charter because the team knows each other well. Advancing to schematic design before the visitor objectives are written down. Beginning fabrication before design development is complete. Each shortcut saves days in the near term and costs weeks or months in rework.

The six phases described in this series are not bureaucratic overhead. They are the accumulated logic of what must happen before the next thing can happen correctly.

02 ·The Six Phases: What Each Produces

Each phase produces a set of documents and decisions that authorize the next phase to begin. No phase begins without the completion and approval of the phase before it.

I

Planning → Project Charter + Objectives

Visitor profile, visitor objectives, project charter, numbering system, space survey, budget, schedule, ADA plan. The authorization to begin design comes from client sign-off on the project charter.

II

Design → Approved Design Development Package

Exhibition script, spatial chunking, field research, style boards, conceptual design, schematic design, design development drawings, draft label copy. Three formal review milestones: conceptual, schematic, and design development approvals.

III

Fabrication → Completed, Crated Exhibits

Working drawings, fabricator selection, shop drawing review, fabrication oversight, quality control reviews, pre-ship review, crating documentation. Exhibits leave the fabrication facility only after passing the pre-ship review.

IV

Installation → Open Exhibition

Load in plan, delivery verification, installation sequence, stakeholder walk-throughs, punch list, soft opening. The public opening follows completion of all punch list items and the soft opening review.

V

Maintenance → Sustained Exhibition Quality

Maintenance manual, as-built drawings, staff training, spare parts inventory, content update schedule, summative evaluation. An exhibition without a maintenance plan degrades from opening day.

03 ·Master Checklist

Use this checklist at the beginning of each phase to confirm that all prerequisites from the previous phase are complete before proceeding. Checking a box is not a formality — it is confirmation that the work exists and has been approved.

Phase I: Planning

  • Visitor profile written and agreed
  • Visitor objectives documented
  • Exhibition space photographed and measured
  • Current exhibitions surveyed
  • Project charter drafted and signed
  • Numbering system established
  • Budget reviewed with client
  • Project schedule approved
  • ADA requirements documented

Phase II: Design

  • Exhibition script written and approved
  • Space chunked and zones described
  • Field research completed
  • Photo pages assembled
  • Style boards created and approved
  • Visitor walk-through narrative written
  • Schematic drawings completed
  • Schematic design package approved
  • Design development drawings complete
  • Draft label copy written
  • Design development approved

Phase III: Fabrication

  • Working drawings issued
  • Bid package distributed
  • Fabricator selected and contracted
  • Shop drawings reviewed and approved
  • Material samples approved
  • Fabrication milestone reviews scheduled
  • Graphic files sent and proofed
  • Pre-ship review completed
  • Crating documented
  • Shipping logistics confirmed

Phase IV: Installation

  • Load in sequence documented
  • Space protection installed
  • Delivery quantities verified
  • Structural elements installed and checked
  • MEP rough-in complete
  • Casework positioned and secured
  • AV and technology installed and tested
  • Graphics installed
  • 50% walk-through conducted
  • 80% walk-through conducted
  • Punch list completed
  • Soft opening conducted
  • Soft opening corrections complete

Phase V: Maintenance

  • As-built drawings completed
  • Maintenance manual assembled
  • Contact sheet current
  • Key inventory documented
  • Spare parts package received
  • Staff trained on maintenance procedures
  • Content update schedule established
  • Summative evaluation plan in place
  • Annual review date scheduled

Questions for Every Phase

  • Is the previous phase fully approved?
  • Does the budget still match the scope?
  • Does the schedule still match the opening?
  • Has the client signed off in writing?
  • Are all team roles still filled?
04 ·On Working with a Museum Planning Consultant

The exhibition design process described in this series can be managed entirely by an experienced in-house team for institutions that have the staff capacity and project management depth. For institutions that do not — or for projects that exceed the scale or complexity of in-house experience — an exhibition design consultant provides the process discipline, design expertise, and vendor relationships that compress timelines and reduce risk.

What distinguishes an effective exhibition design consultant from an ineffective one is not design talent — it is the ability to manage the full process from planning through maintenance, to coordinate multiple vendors across a single timeline, and to keep the museum's visitor objectives at the center of every decision regardless of the pressures of budget, schedule, or stakeholder preference.

Museum Planning LLC has applied this process to more than forty museums over twenty-five years. The plans produced are designed to be built, not filed.

Start a Conversation

If your institution is planning a new exhibition — or evaluating an existing one — contact Mark Walhimer at Museum Planning LLC. mark@museumplanning.com · 415-794-5252 · museumplanning.com

05 ·Read the Entire Series